... anything but an ugly duckling
If you had asked my kindergarten group anno 1989 with the dream job would be one anyone would have probably 95% of the girls' ballet dancing Princess replied and 95% of the boys' Cowboy - Sheriff "... Only the little Therese ... The always wanted to be astronaut.
But that's another story ... This
films are recommended must fit some things (together). Sometimes fits the theme, but bring the actors anything outstanding (eg Inception), sometimes the topic is interesting, but the implementation is poor (eg The Blair Witch Project), sometimes the technology is outstanding, but the story is lax (eg avatar) , sometimes there are fantastic actors, but gives her little substance (eg Alice in Wonderland), and sometimes everything is just right (not all Uwe Boll movies).
now wants to move fast to conclude that a very good film it all added: technique, subject matter and great actors ...?! I do not see it quite like that. Really good, in my opinion, are those films that create a seemingly uninteresting subject for someone quite grandiose by casting an even grander and implementation, to tie such that the seemingly uninteresting subject for someone quite an interesting history. And for those to whom this sentence was too long, put quite simply: I hate ballet! I was in kindergarten more than anyone else in the dance course, there were only small dance partner and I just always knew, I can not just be all-ballet dancer. And we know it: you can not do that one may not be more. The fact (s) that I have with ballet and still only anorexic, girl-like, curve-less women and boy-like, small (at least smaller than me) associate men in too tight pants that, not really (m) a rising ballet to education systems.
In Black Swan, it is therefore a ballet. More precisely, to the Swan Lake. The piece will be listed at the beginning of the new ballet season and every girl - including Natalie Portman - would observe the main / dual role (as a white and a black swan) get hold of. Thus, the almost self-destructive fascination for powerful choreographers (Vincent Cassel) is inevitable. As for Nina (Portman) also wirklich der Traum in Erfüllung geht, und sie sich offiziell auf die Doppelrolle vorbereiten kann, muss sie bald erkennen, dass einige unangenehme Dinge mitgeliefert wurden. Da gibt es eine andere Tänzerin (Mila Kunis), die den schwarzen Schwan und somit die dunkle Seite, viel besser darstellen kann. Dann gibt es eine pensionierte Exkollegin (Winona Ryder), die nicht nur eifersüchtig ist, sondern nebenbei auch noch dem Wahn verfällt. Und dass der sexy Choreograf Nina immer wieder rät, mehr aus sich herauszugehen und sexueller zu werden, macht das alles auch nicht viel einfacher. Aus KollegInnen werden Feinde, aus Perfektion wird Obsession und mit der aufsteigenden, immer schlimmer werdenden Paranoia, vermischen Nina for more and more the boundaries between truth and fiction, reality and imagination.
entangled deeper and deeper, Nina in their daydreams and around the black swan - the evil - present perfect, it is becoming clear that they must remove their good side (just like in the play) themselves. Cost what it may. divide
this movie falls into a genre, I just incredibly difficult. We're talking about thrill - Psycho Thrill, fantasy, horror, sex and drama. And - believe it or not: to find even a single point to the nagging is, I just heavier.
The acting performance of all actors is I think unprecedented. The increasing number of their delusions decaying Natalie Portman, the driven by the desire for absolute perfection may soon no longer distinguish between true and false, plays just as brilliant as the loose, promiscuous Mila Kunis, the ballet rather as a hobby, as a life's work provides and probably just because of the magnificent Vincent Cassel enchanted. The track-like gurgling as scary mother convinced, despite the very short appearances by Winona Ryder, one would have probably no one better for the role of the entirely disturbed ex-ballet queen can be found.
I was for much of the film incomprehensible immensity of the outstanding things to play und genialem Drehbuch derart begeistert, dass ich die vielen Tanzszenen als schlichtweg wunderschön und mit der perfekten Musik unterlegt, richtig genossen habe. Und das, obwohl ich Ballett hasse!
Ehrlich: Darren Aronofsky ist hier ein absolutes Meisterwerk gelungen. Er hat zwar schon mit The Wrestler bewiesen, dass ein Film mit der richtigen Besetzung, jede scheinbar uninteressante Thematik in eine spannende Geschichte transformieren kann, dass er sich jedoch nur ein Jahr darauf selbst übetrifft, habe ich wirklich nicht erwartet. Black Swan ist ein Film über Ballett, über das schreckliche Ballett mit all seinen schrecklichen Schattenseiten. Über das wunderschöen Ballett mit all seinen romantischen Vorstellungen. Ein Film über Wahnsinn und Obsession, über gebrochene Herzen und Hoffnungen und nicht zuletzt über den Kampf mit den eigenen zwei Seiten. Der Kampf Gut gegen Böse bei dem – und das steht fest – nur einer gewinnen kann.
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